This film is the first bloody work of "Godzilla" director Ryuhei Kitamura in Hollywood. It is adapted from Clive Barker's 1984 thriller short story of the same name. It tells the story of a photographer played by Bradley Cooper looking for a murderous demon on the subway. In the late night city, the dark subway, the terrible murderous demon is carrying out his nightly routine. Why does he kill cruelly? What about the bodies of the victims? The next stop is death. For a photographer, the camera is his eyes, and he can always capture some shocking fragments of life that are artificially ignored. As far as Leon Kaufman is concerned, this little-known but very ambitious and idealistic photographer likes to travel through the streets and alleys of New York, and freeze the various lives of the residents in this city on photographic paper at night. Lyon's efforts attracted the attention of Susan, the owner of a famous art gallery. She particularly liked the stimulation and incitement in his latest works. She encouraged Lyon to record the tougher and darker side of human nature, and promised that if he met her requirements, she would hold a unique solo exhibition for him in the downtown gallery. Lyon, who was gaining confidence, firmly believed that he had entered the track of success and would eventually reach the destination he had longed for. He began to wander around the city more vigorously, and he dared not let go of the camera for a moment, for fear of missing something and regretting it for the rest of his life. Late one night, Lyon dragged his tired body into a subway station. As he walked and took pictures, he accidentally captured a mysterious man with a handbag and a cold face. What he could not imagine was that this photo would eventually lead him to the hunting circle of Mahogany, a serial killer who specifically targeted passengers taking the subway late at night. Because the methods used by this killer were extremely cruel, they had brought an uneasy atmosphere of death to the entire city. When Leon identified the murderer, he walked deeper and deeper into the criss-crossing subway lines like a possessed man, completely ignoring the concerns of his anxious girlfriend Maya. Leon eventually stepped into the abyss of pure evil, and Maya was also unnecessarily implicated. One-sentence comment: The film is full of bluffing killing scenes made of blood plasma, making it the most visually influential horror work in recent years. Fear Central perfectly grafts infill and CGI. Japanese director Ryuhei Kitamura has released many of the most brutal and creative murder scenes ever on the big screen. From beginning to end, the film is extremely bloody, and it is already a very tolerant practice to be classified as R-rated. Variety show